摸鱼儿 · 赋湘云
问湘南、有云多少，不应长是为雨。平生宋玉缘情老，赢得鬓丝如许。歌又舞。更一曲琵琶，昵昵如私语。闲悲浪苦。怪旧日青衫，空流泪满，不解画眉妩。空凝伫。
十二峰前路阻。相逢知在何处。今朝重见春风手，仍听旧弹金缕。君且住。怕望断、蘅皋日暮伤离绪。新声自谱。把江北江南，今愁往恨，尽入断肠句。
Inquiring about the cloud count in southern Hunan, there's no answer due to perpetual rainfall. In my life, I've been deeply in love with the romantic poetry of Song Yu, and my hair has grown gray with this love. Singing and dancing, I hear a pipa tune that whispers intimately like a lover's confidences. I feel sad about the waves of suffering, wondering why I shed tears in my youth without understanding the beauty of drawing eyebrows. I stand alone, lost in thought.
The road ahead is blocked by twelve peaks. Where will we meet again? Today, I feel the touch of spring breeze once more and still hear the old song played on a golden instrument. Please stay. I fear that as the sun sets and I look at the Ankang grasslands, I will be overwhelmed with sadness over our separation.
I create new music, weaving together melodies of sadness past and present, both north and south, all wrapped up in these heart-wrenching lyrics.
《摸鱼儿·赋湘云》一词，以细腻的笔触和深情的语言，勾勒出一幅幅湘云缭绕、情感交织的动人画面，让人在字里行间感受到词人内心的波澜与对过往时光的无限感慨。
开篇“问湘南、有云多少，不应长是为雨”，以问句起兴，既描绘了湘南云雾缭绕的自然景象，又暗含了对人事多变、情感难测的哲思。词人似乎在询问，那湘南上空的云朵，是否总是化作绵绵细雨，让人心生哀愁？这一问，既是对自然景象的描绘，也是对人生境遇的隐喻。
接着，“平生宋玉缘情老，赢得鬓丝如许”，词人自比宋玉，以才情著称却情感坎坷，岁月流转间，唯余两鬓斑白，透露出对过往岁月的深深感慨与无奈。宋玉的典故，不仅增添了词作的文化底蕴，也映射出词人内心的孤独与苍凉。
“歌又舞。更一曲琵琶，昵昵如私语”，笔锋一转，词人描绘了一幅歌舞升平、琵琶声声的温馨场景，那琵琶声细腻如私语，仿佛能触动人心最柔软的部分。然而，这短暂的欢愉背后，却隐藏着“闲悲浪苦”的深沉情感，词人感叹自己如同旧时的文人，空有满腔愁绪，却不懂得如何以温柔的方式（如画眉）去化解内心的苦闷。
“空凝伫。十二峰前路阻。相逢知在何处”，词人将思绪拉回现实，眼前的十二峰前路阻隔，曾经的相逢仿佛成了遥不可及的梦，透露出对重逢无望的深深失落。这种对过往美好时光的追忆与对现实无奈的接受，形成了鲜明的对比，增强了词作的感染力。
“今朝重见春风手，仍听旧弹金缕”，词情再次转折，词人惊喜地发现，今日竟能重逢昔日之人，再次聆听那熟悉的金缕曲，这份重逢的喜悦与珍惜之情溢于言表。然而，“君且住。怕望断、蘅皋日暮伤离绪”，词人又生离别之忧，害怕眼前的美好转瞬即逝，如同日暮时分在蘅皋之上望断天涯，徒增伤感。
最后，“新声自谱。把江北江南，今愁往恨，尽入断肠句”，词人决定以自己的才情，将过往的忧愁与当下的情感融入新的词曲之中，让江北江南的风物见证这份断肠之情。这不仅是对个人情感的抒发，也是对人生百态的深刻洞察与感悟。
整首词，通过自然景象与内心情感的巧妙融合，展现了词人对过往的追忆、对现实的感慨以及对未来的期许，情感真挚，意境深远，令人回味无穷。