题陈所翁九龙戏珠图
两龙颉颃出重渊，白日移海空中悬。
一龙回矫一倒起，侧磔胡髯怒喷水。
火珠炎炎如弹丸，爪底云头争控抟。
一龙仰首逆鳞露，两龙旁睨苍崖蟠。
怪风狂电浩呼汹，天吴倅立八山动。
一龙后出尤崛奇，半尾戏绕蜿蜒儿。
儿生未角已神猛，一顾却走千蛟螭。
陈翁砚池藏霹雳，往往醉时翻水滴。
便觉天瓢入手来，雨气模糊浑是墨。
我尝见画多巨幅，簸荡惊涛骇人目。
何如此笔穷变化，三尺微绡形势足。
是翁前身定龙精，故能吸歘奔精灵。
卷图还君慎封鐍，但恐破壁飞空冥。
Two dragons emerged from the deep, their scales shimmering in the sun as they hovered over the sea. One dragon gracefully arched its body while the other contorted, its beard fluttering in the wind as it sprayed water. The fireball, like a burning marble, was at the center of their midst, and clouds gathered around their paws as they fought to control it. One dragon raised its head, revealing its scales beneath, while the other two looked on, encircled by deep green cliffs. With monster winds and violent thunder, a figure resembling the divine Wu appeared, standing tall as the mountains trembled. Then a dragon emerged, even more extraordinary than the others, with half of its tail curling playfully around an infant dragon that was already fierce and mighty without horns. At its mere glance, the infant dragon sent thousands of snakes and dragons fleeing. Master Chen's inkstone conceals lightning, often revealed in a flurry of water droplets when he's drunk. It feels like he's holding a celestial gourd full of water, and the rain clouds obscure everything in a blur of ink. I have seen many large paintings depicting dragons in awe-inspiring waves, but none compare to this scroll's transformations. This small silk scroll is three feet long but full of vitality and energy, thanks to the artist's former life as a dragon spirit that can suck in and expel spirits. I return the scroll to you with caution, sealing it tightly with a gemstone, but fear it might transform into a real dragon and fly away through the cracks in the wall.
《题陈所翁九龙戏珠图》一诗，犹如一幅生动的画卷，缓缓在我们眼前展开，引领我们进入一个龙舞云腾、气势磅礴的奇幻世界。诗人以细腻的笔触，描绘了陈所翁笔下九龙戏珠的壮丽景象，字里行间洋溢着对画作无尽的赞叹与敬畏。
开篇即见两龙自深渊腾空而出，仿佛白日因它们的壮丽舞动而移至海天之间，悬空照耀。紧接着，一龙回旋矫健，一龙倒立而起，龙须怒张，喷水如注，展现出龙族的威严与力量。火珠炽热如弹丸，众龙在云端与爪下激烈争夺，场面惊心动魄。
其中，一龙昂首逆鳞毕露，两龙则在一旁冷眼旁观，蟠踞于苍崖之上，似乎在静观这场力量的较量。天空中，怪风狂电交织，浩渺呼汹，连神话中的水神天吴也仿佛被惊动，与群山一同震颤。尤为引人注目的是，最后出场的龙形态崛奇，半尾缠绕着蜿蜒的幼龙，幼龙虽未长角，却已显露出神勇之姿，一瞥之间，令千蛟万螭退避三舍。
诗人笔锋一转，将赞美之情投向画家陈所翁，称赞其砚池中仿佛藏着霹雳，醉时挥毫，便如同天瓢倾泻，雨气与墨色交融，浑然天成。相较于那些以巨幅展现惊涛骇浪的画作，陈所翁此作虽仅三尺微绡，却穷极变化，形势自足，展现了非凡的艺术魅力。
诗人甚至幽默地猜测，陈所翁前世或许是龙精，方能如此传神地捕捉并描绘出龙的灵动与神韵。最后，他郑重地将画卷归还给主人，并叮嘱要小心封存，以免画中龙破壁而出，飞向茫茫天际，留下无限的遐想与敬畏。
整首诗通过丰富的想象与生动的描绘，不仅展现了画作本身的震撼与美妙，更透露出诗人对自然力量的崇拜、对艺术创造的敬畏，以及对艺术家超凡技艺的由衷赞美。每一处细节，每一句诗词，都仿佛是一个个跳跃的音符，共同编织成一首关于龙、关于艺术、关于想象的壮丽史诗。