题杨文昭为刘敬思画
我家茅屋沧江边，屋头高树云相连。
秋声六月常在座，仿佛两耳闻钧天。
朅来城市住未久，已觉尘埃满衣袖。
高堂素壁忽见画，风雨如闻龙怒吼。
忆昔刘郎多好奇，七尺长身玉雪姿。
眼中为惜栋梁具，笑倩杨昭图画之。
杨生好画亦成癖，醉墨淋漓不停笔。
远山近水漫涂抹，铁干虬枝俨行立。
一时清致俱寂然，惟馀此画人间传。
精神恍惚夺造化，意象惨澹含云烟。
吁嗟二公不复见，把玩令人竟忘倦。
老夫白发已如此，往事悠悠泪如霰。
My humble hut stands by the riverside of Cangjiang, with towering clouds towering above its roof. Autumn's melodies often fill the air in June, as if my ears hear divine music. Not long since I settled in the city, I already find dust covering my sleeves. Suddenly seeing paintings on the plain white walls of my high hall, I feel like I hear the roaring of dragons in the wind and rain. Remembering Liu Lang's deep curiosity, his tall stature and pure spirit. I cherished his qualities as pillars of society and laughed to ask Yang Zhaobiao to paint them. Yang, born with a passion for painting, was never satisfied with his brush strokes. He drunkenly applied his ink, without hesitation, painting mountains far away and rivers nearby, trees with iron branches and whimsical shapes standing firmly. In an instant, everything became serene and only this painting remained in the world. It captures a moment of abstraction, filled with misty clouds and imagery. Oh, how I miss these two men who are no longer with us. Holding and admiring their art makes me forget to tire. Now that I am old with grey hair, looking back at the past brings tears to my eyes like snowflakes.
《题杨文昭为刘敬思画》一诗，宛如一幅淡雅而意蕴深长的水墨画卷，缓缓在我们眼前铺陈开来。开篇即以“我家茅屋沧江边，屋头高树云相连”勾勒出一幅远离尘嚣、亲近自然的宁静景象，仿佛能嗅到江边的清新空气，看到云雾缭绕中的树梢轻轻摇曳。这不仅是诗人居住环境的描绘，更是其心灵归宿的象征，为全诗定下了一个超脱世俗的基调。
随后，“秋声六月常在座，仿佛两耳闻钧天”，以六月之秋声比喻高雅之音，让人即便在炎炎夏日也能感受到一份清凉与高远，心灵得以净化。紧接着，诗人笔锋一转，从自然的宁静转入城市的喧嚣：“朅来城市住未久，已觉尘埃满衣袖。”寥寥数语，便将都市生活的繁忙与心灵的疲惫刻画得淋漓尽致，与前文的田园风光形成鲜明对比。
正当读者沉浸于这份对都市生活的淡淡哀愁时，画面一转：“高堂素壁忽见画，风雨如闻龙怒吼。”这幅由杨文昭为刘敬思所作的画作，以其震撼人心的力量，瞬间将诗人从尘世的烦恼中拉回，仿佛能听到画中风雨交加、龙吟虎啸之声，展现出一种超越现实的壮丽与不羁。
诗人接着回忆起刘敬思：“忆昔刘郎多好奇，七尺长身玉雪姿。”这位好友不仅身形伟岸，更有一颗好奇探索的心，他珍视人才，于是“笑倩杨昭图画之”。这里的“笑倩”二字，生动地描绘出刘敬思请杨文昭作画时的轻松愉悦，以及二人之间深厚的友情。
杨文昭作为画家，其技艺之高超，从“杨生好画亦成癖，醉墨淋漓不停笔”中可见一斑。他醉心于画，挥洒自如，无论是远山近水还是铁干虬枝，都在他的笔下栩栩如生，仿佛拥有了生命。这样的画作，自然能“一时清致俱寂然，惟馀此画人间传”，成为流传后世的艺术珍品。
诗中“精神恍惚夺造化，意象惨澹含云烟”一句，高度赞扬了画作的艺术魅力，它超越了自然，蕴含着深邃的意境与情感，让人在观赏之余，不禁沉醉其中，忘却尘世的烦恼。
最后，诗人以“吁嗟二公不复见，把玩令人竟忘倦。老夫白发已如此，往事悠悠泪如霰”作结，表达了对故友的深切怀念及自身年华老去的感慨。在把玩这幅画作时，所有的疲惫都烟消云散，但想到昔日友人已不在，自己也已白发苍苍，不禁泪如雨下，这份情感的真挚与深沉，让人动容。
整首诗通过对一幅画的题咏，不仅展现了画作的艺术魅力，更寄托了诗人对自然、友情、时光流逝的深刻感悟，情感细腻，意境悠远，读来令人回味无穷。