赠医者呼延生
君不见南齐潘聚师，禁耳出箭镝。又不见唐人孙甑生，祝石使相击。
祝溪溪不流，徐登先破的。以树徙痈疽，伯宗多伟绩。
后来便说呼延生，神异一时无匹敌。誓言拯众疾，犹己有饥溺。
吐气作云霓，掉舌飞霹雳。炎凉随手变，众苦已荡涤。
百谢不一顾，黄金同瓦砾。饮酒过百觚，醉不遗涓滴。
归来掩关卧，瑶琴闲挂壁。所至汉义合，无莫亦无适。
衡门时见过，笑语慰岑寂。却愁仙籍告功成，便恐人闲无处觅。
These lines are reminiscence of poetic anecdotes in history. Look at how the south of Qishan's Pan Jushi could not bear the arrows piercing his ears. Then again, recall Tang's Sun Zengsheng who could make stones clash by his wishes.
Just like the streamlet of Zhu Xi not flowing due to Xu Deng's power, and how he broke through the first obstacle. By planting trees, one could move the skin diseases away, just like what Bo Zong had achieved with his great deeds.
Later on, there was Huanyan Sheng who was extraordinary and unmatched in his supernatural abilities. He vowed to save people from their afflictions, as if he himself were experiencing their hunger and distress. His breath formed clouds and mists, while his tongue cast lightning. He could turn the heat into cold and vice versa, instantly eradicating all hardships.
He was so dignified that a hundred thanks were not worthy to look at him once, with gold as useless as stone fragments in front of him. He drank through a hundred horns of wine without leaving a single drop behind.
After returning home, he shut the door and went to bed, with the jade piano left idle on the shelf. His every action aligned with the righteousness of Han, without any hesitation or confusion.
One could often meet him at the humble gate, laughing and comforting those who were lonely or lost. But when he finished his work and ascended to immortality, it was feared that he might become so divine that he would be hard to find in the mundane world.
《赠医者呼延生》一诗，以古朴的笔触和丰富的想象，勾勒了一位医术高超、心怀慈悲的医者形象——呼延生，其字里行间洋溢着对医者仁心与神技的赞美之情。
开篇即以历史典故引入，提及南齐时期的潘聚师能从耳中取出箭镝的奇术，以及唐人孙甑生能使石头相击的神奇，这些传说虽异想天开，却巧妙地铺垫了接下来要讲述的呼延生的非凡。诗人用“祝溪溪不流，徐登先破的”这样的夸张手法，进一步渲染了医术的神秘与不可思议，随后提到的以树移痈疽的伯宗，更是将古代医者的高超技艺一一展现，为呼延生的出场做好了层层铺垫。
“后来便说呼延生，神异一时无匹敌。”这句直接点题，将读者的注意力聚焦于主角身上。呼延生立下誓言，誓要拯救苍生之疾苦，视他人之痛若己身之饥溺，这种舍己为人的情怀，让人动容。他吐气成云、掉舌如霹雳，似乎拥有翻云覆雨、起死回生的能力，能够随手改变病情炎凉，荡涤众苦，其医术之高超，可见一斑。
然而，这位医术非凡的呼延生，对待金钱却极为淡泊，“百谢不一顾，黄金同瓦砾”，他不受名利所累，展现了一种超脱世俗的高洁品质。饮酒过百杯而不醉，醉后亦不失风度，这些细节描写，让呼延生的形象更加饱满，既有医术上的超凡脱俗，也有性格上的洒脱不羁。
归家后，他闭门而卧，瑶琴闲置，生活简朴而宁静，这种淡泊名利、超然物外的态度，与他在医术上的追求形成了鲜明对比，更凸显其人格魅力。他与人交往，遵循的是儒家“中庸之道”，无过无不及，既不过分亲近，也不疏远，保持一种恰到好处的距离。偶尔有访客至简朴的门前，他的笑语总能慰藉人心的孤寂，这样的场景，温馨而又和谐。
诗的末尾，诗人流露出对呼延生的深深忧虑，担心他一旦仙籍告成，功成身退，人间便再难寻觅这样一位医术高明、心怀慈悲的医者。这份忧虑，实际上是对呼延生医术与人格双重高度的认可与不舍，也是对世间能有更多如呼延生般医者的期盼。
整首诗通过一系列生动的描绘与典故引用，不仅展现了呼延生医术的神奇，更深刻揭示了他高尚的人格魅力，让人在赞叹其医术的同时，也被其人格所打动，留下深刻印象。