和吴正传五台怀古韵姑苏台
阖闾城畔姑苏台，百花洲上千花开。
笙歌半空晓未绝，一声落月啼乌来。
蛾眉颦翠愁如簇，空捧春娇在心曲。
沧江罗网纵鲸鲵，碧瓦丘墟走麋鹿。
悽烟惨日潮生处，怨满鸱夷犹不悟。
甬东东海不可栖，剑光夜冷吴山路。
By the riverside of Heguan City stands the Gusu Platform, With flowers blooming on hundreds of beaches. With笙歌resounding in the air in the early morning that hasn't ceased, The rising sun and falling moon were heard by the crying of wild geese. With eyebrows drawn as green as verdant clusters of worry, She vainly held her spring beauty in her heart. The vast river was set with traps to catch the great fish like whales, And on the roof tiles and mounds, deer ran freely. At the place where misty smoke and gloomy sun met with the rising tide, Filled with grievances, even the embroidered silk bags couldn't make them feel relieved. It was clear that the eastern road to the East Sea was not safe to perch on, And the sword light had chilled at night in the Wu region.
《和吴正传五台怀古韵姑苏台》是一首充满历史沧桑感与深沉哀愁的怀古诗。诗人以细腻的笔触，描绘了姑苏台昔日的繁华与今日的荒凉，寄托了对历史变迁、世事无常的深刻感慨。
首联“阖闾城畔姑苏台，百花洲上千花开”，开篇便将读者引入一个繁花似锦、美轮美奂的场景。阖闾城与姑苏台，作为吴国的象征，曾是权力与荣耀的中心。百花洲上千花怒放，映衬出昔日的繁荣与奢华，仿佛能听见那时的笙歌笑语，感受到那份热闹非凡。
然而，紧接着的颔联“笙歌半空晓未绝，一声落月啼乌来”，笔锋一转，从白昼的喧嚣过渡到夜晚的寂静，再以一声乌鸦的啼叫打破了这份宁静，预示着不祥之兆。这不仅是自然景象的转换，更是对吴国由盛转衰的隐喻，暗示着欢乐背后隐藏的危机。
颈联“蛾眉颦翠愁如簇，空捧春娇在心曲”，诗人以“蛾眉”代指美人，她们紧锁的眉头，内心满溢的忧愁，如同聚集的云朵，难以消散。这些美人，或许曾是姑苏台上的宠儿，如今却只能空怀春色，内心充满了对过往繁华不再的哀怨。这既是对个体命运的悲叹，也是对吴国灭亡后，一切美好化为泡影的深刻反映。
到了尾联，“沧江罗网纵鲸鲵，碧瓦丘墟走麋鹿”，诗人用“鲸鲵”比喻强大的敌人或内乱，暗示吴国最终被强大的对手所击败，昔日的宫殿（碧瓦）已成废墟，只有麋鹿在其间游荡，昔日的辉煌不复存在。而“悽烟惨日潮生处，怨满鸱夷犹不悟”，进一步渲染了这种凄凉氛围，鸱夷子皮（范蠡的别称，此处或泛指智者）的怨恨似乎仍未消散，即便历史的车轮滚滚向前，那份对命运无常的无奈与不甘依旧回荡在姑苏台的废墟之上。最后一句“甬东东海不可栖，剑光夜冷吴山路”，则以一种凄冷的意象收尾，剑光在夜晚的吴山路上显得格外清冷，象征着英雄末路，也预示着无论逃往何方，都无法逃避历史的审判与时间的侵蚀。
整首诗通过对姑苏台今昔对比的描绘，不仅展现了历史的沧桑巨变，更深刻揭示了权力、荣耀与衰败之间的微妙关系，以及对人性、命运的深刻反思。诗中没有直接的议论或总结，但每一句都蕴含着丰富的历史情感与哲理思考，让人在品味中感受到历史的厚重与生命的脆弱。