湖西罗受可作梅月图赠予北行赋此报之
青山湖上去，白云湖上住。草屋八九间，梅花两三树。
年年许客看花开，花下携琴载酒来。对花把酒唤鹤舞，酒酣落月尚衔杯。
黄昏疏影横斜好，更取生绢拈笔扫。高情能画胜能吟，风雪荒寒忆郊岛。
我来不值花开时，骑马独从湖外归。上阳密露春如海，只有东家蝴蝶飞。
To the green hills above Lake Qingshan, and white clouds floating above the lake. With grass houses numbering eight or nine, and plum blossoms blooming two or three.
Yearly, guests are allowed to watch the flowers bloom. Under the flowers, they bring琴 and wine to share. Toasting with the flowers, they call on the鹤 to dance. When their drink is full and the moon slowly sets, they still hold their cups in high esteem.
At dusk, with shadows dancing gracefully, it's a beautiful scene. With raw silk in their hands and brushes at their sides, they begin to paint. Those with high emotions are not only skilled at painting but also at reciting poetry. In the memory of winter storms and cold, they recall the wilderness of Jiaodao.
When I came, the flowers were not in bloom. Riding alone, I returned from the lake. The sun was hidden by thick spring mist like an ocean, except for some butterflies flying in my neighbor's home.
《湖西罗受可作梅月图赠予北行赋此报之》一诗，如同一幅淡雅的水墨画卷，缓缓展开在读者眼前，让人不由自主地沉醉于那份超脱尘世的宁静与美好之中。
开篇“青山湖上去，白云湖上住”，以简洁明快的语言勾勒出一幅远离尘嚣、依山傍水的隐居图景。诗人仿佛带着我们穿越时空，步入了一个世外桃源般的仙境。草屋八九间，梅花两三树，寥寥几笔，却将那份淡泊与清幽展现得淋漓尽致。这里的“草屋”与“梅花”，不仅是自然之景，更是诗人内心追求高洁、超然物外情怀的象征。
接下来，“年年许客看花开，花下携琴载酒来”，诗人描绘了与友人共赏梅花的温馨场景。在这花团锦簇之下，不仅有美酒佳肴，更有琴声悠扬，鹤舞翩跹，好一幅人与自然和谐共生的画面。酒酣之际，月已西斜，诗人却仍意犹未尽，持杯不舍，这份对美好时光的留恋，让人感同身受。
“黄昏疏影横斜好，更取生绢拈笔扫”，随着夜幕的降临，梅花在月光的映照下更显疏影横斜之美，罗受可便是在这样的时刻，灵感涌现，挥毫泼墨，将这份美景定格于纸上。这里，“高情能画胜能吟”，不仅赞美了罗受可的艺术才华，更体现了其深厚的情感与高雅的情趣，让人联想到唐代诗人孟郊、贾岛的清苦与才情。
然而，当诗人自己踏上北行的路途，“我来不值花开时，骑马独从湖外归”，心中难免生出几分遗憾与孤寂。此时，眼前的繁华似锦，如“上阳密露春如海”，却难以填补内心的那份空缺，唯有东家蝴蝶翩翩起舞，似乎在诉说着春天的故事，却也只能勾起诗人对往昔美好时光的无限怀念。
整首诗，通过对比与联想，将自然之景、友情之深、离别之愁巧妙融合，既展现了诗人对自然美的热爱与向往，又流露出对友情的珍视与离别的感伤。语言清新自然，意境深远，如同一曲悠扬的古筝独奏，余音绕梁，久久不息。